Harsh Symmetry, “On-Screen Death”
The song-driven Los Angeles post-punk project tries on some fresh approaches on their new mini-album.
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Tag: Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Observer: Iron Sight & Red Lorry Yellow Lorry
Thoughts on new releases by Iron Sight and Red Lorry Yellow Lorry.
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Cardinal Noire, “Vitriol”
Cardinal Noire hold true to their electro-industrial influences on their third LP.
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Unit: 187, “KillCure”
The return of the Vancouver industrial act with a new line-up is appropriately cantankerous and hostile.
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Observer: Transmigration & Nordvargr
Capsule reviews of new releases by Transmigration and Nordvargr.
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Madil Hardis, “Visionary Sadness”
The UK-based vocalist deals in the most ethereal strains of darkwave on her latest album of brief but affecting songs.
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Curses, “Another Heaven”
A gossamer take on post-punk marks a notable shift for Curses.
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Observer: Trellick & Blakmoth
Capsule reviews of new releases by Trellick and Blakmoth.
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Boar Alarm, “Automatic For The Dead People”
The latest in a string of strong releases from Fredrik Djurfeldt, Boar Alarm’s new LP whittles the structures of electro-industrial and EBM down to their noisiest and most experimental roots.
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Lost Signal, “Anatomy of Melancholy”
The one-time futurepop project returns with a record of contemplative, even-tempered songs.
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Observer: Faith In Flesh & Mascarpone
Capsule reviews of releases by Faith in Flesh and Mascarpone.
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Silent EM, “Real Life”
NYC’s darkwave project Silent EM brings new sounds and approaches to their taught, anxious compositions.
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