We Have A Technical 538: 2024 Year End Roundup
We wrap up our week of Year End coverage with a podcast discussing our Top 25 records of the year and choosing ten additional records for honourable mention.
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Tag: Featured
We Have a Technical brings I Die: You Die's discussions of industrial, EBM, goth, dark electro, and related music genres to the podcast format. Join Alex, Bruce, and guests as they explore music's darker alternatives.
We Have A Technical 537: Tacoma Klezmer
We’re catching up with records from Black Nail Cabaret, Orange Sector, Vision Video, and Kite before the year’s end on this week’s podcast.
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We Have A Technical 536: The Sad Nature Of The History Of Everything
We sketch out the criteria for a hypothetical Industrial Hall Of Fame.
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We Have A Technical 535: That’s Disgusting
We’re discussing records by Molasar and Novakill on this week’s podcast, plus the Cleopatra AI controversy and the Lana Del Rabies show we’re co-promoting.
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We Have A Technical 534: You Put Me On The Spot
We’re each picking five micro-genres for discussion and analysis on this week’s We Have A Technical.
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We Have A Technical 533: I Stand
We’re discussing records by Scapa Flow and Marsheaux on this week’s podcast.
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We Have A Technical 532: Something Wicked This Way Comes
We discuss the first new record from The Cure in sixteen years, reflecting on its links to the band’s past and our own personal histories with them.
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We Have A Technical 531: A Handful Of Popcorn
We field Halloween DJ requests on this week’s episode of We Have A Technical!
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We Have A Technical 530: Not Gonna
On this week’s podcast, we’re looking at records by Worms Of The Earth and C-Drone Defect.
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We Have A Technical 528: Kevin For Life
What gaps does the Senior Staff have in their experience with darker music? Find out in this Pick Five formatted episode.
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We Have A Technical 527: Who Can Resist
Records by 32Crash and Ars Moriendi are up for discussion on this week’s We Have A Technical.
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We Have A Technical 526: Maniacism
We use the recent Peter Hook & The Light show as a jump-off point for some reflection on the Joy Division and New Order catalogs and how our relationships with them have changed.
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