Reviews
Poison Point, “Poisoned Gloves”
Poison Point go sleek without losing their frenetic energy on their new LP of modern darkwave.
Alphaxone, “The Infinite Void”
The latest from Alphaxone continues the Iranian dark ambient producer’s journey into deep space.
Observer: Leere Städte & Executioner’s Mask
Shorter thoughts on new releases by Leere Städte (Die Selektion) and Executioner’s Mask.
Schneebezen, “Amnesia Lane”
Mecanica unearths a trove of fin-de-siècle synthpop laid down by LA’s Schneebezen in the late ’80s.
Patriarchy, “The Unself”
Patriarchy tighten up their mixture of darkwave, rock, pop and industrial on their sophomore LP.
SRSQ, “Ever Crashing”
Kennedy Ashlyn’s sun-soaked sophomore LP as SRSQ basks in the beauty, uncertainty, and absurdity of life.
Vandal Moon, “Queen of the Night”
Californian darkwavers Vandal Moon put their best foot forward on their enjoyable new LP.
Flint Glass, “Azathoth”
Flint Glass returns to Lovecraftian influences with the downtempo and ambiently dark “Azathoth”.
Observer: Autumns & Amrou Kithkin
Thoughts on new releases from Autumns and Amrou Kithkin.
T.G.T.B., “Stockholm Soul”
Depressive vocals and bubbly, lo-fi synthpop and electro are combined on T.G.T.B.’s first LP.
Harsh Symmetry, “Display Model”
Harsh Symmetry’s debut is a confident entry in the modern melodic darkwave movement.
Observer: Tasime Da Hidonash & TOT
Thoughts on new EPs by Tasime da Hidonash and TOT.
