Reviews
Patriarchy, “The Unself”
Patriarchy tighten up their mixture of darkwave, rock, pop and industrial on their sophomore LP.
SRSQ, “Ever Crashing”
Kennedy Ashlyn’s sun-soaked sophomore LP as SRSQ basks in the beauty, uncertainty, and absurdity of life.
Vandal Moon, “Queen of the Night”
Californian darkwavers Vandal Moon put their best foot forward on their enjoyable new LP.
Flint Glass, “Azathoth”
Flint Glass returns to Lovecraftian influences with the downtempo and ambiently dark “Azathoth”.
Observer: Autumns & Amrou Kithkin
Thoughts on new releases from Autumns and Amrou Kithkin.
T.G.T.B., “Stockholm Soul”
Depressive vocals and bubbly, lo-fi synthpop and electro are combined on T.G.T.B.’s first LP.
Harsh Symmetry, “Display Model”
Harsh Symmetry’s debut is a confident entry in the modern melodic darkwave movement.
Observer: Tasime Da Hidonash & TOT
Thoughts on new EPs by Tasime da Hidonash and TOT.
Prager Handgriff, “Das Letzte Gefecht”
Long-running EBM act Prager Handgriff return with a new album of stoic body music.
Black Magnet, “Body Prophecy”
Black Magnet delivers another tight set of accomplished and varied industrial metal.
Hexheart, “Funeral Flowers”
God Module’s Jasyn Bangert goes personal on the surprisingly fun and fast-moving electropop sophomore Hexheart LP.
Replicas: Nordvargr, “Resignation I-II-III”
A collection of ambient techno releases presents a rarely heard dimension of Nordvargr’s work.
