Reviews
Monolith, “Yama”
The latest from veteran rhythmic noise project Monolith takes a turn into contemplative tribal industrial.
This Morn Omina, “Insha”
Long-running ritual industrial act This Morn Omina delivers a varied and often ambient album for Cryo Chamber.
Observer: Feyleux & Body System
Thoughts on new EPs by Feyleux and Body System.
Converter, “The Four Last Things”
The unanticipated and probably final statement from the influential rhythmic noise act comes to us via an unexpected creative partnership.
Flesh Field, “On Enmity”
The second LP since Flesh Field’s reactivation links the project’s newfound guitar focus back to the project’s ambitious cyber roots.
Buzz Kull, “Deep Hate”
A club-friendly EP of originals and remixes keeps Buzz Kull’s yen for body music and electro-darkwave in the spotlight.
WARDAY, “Stay Behind”
The one-man synthpunk outfit makes basement show shoutalongs drenched in paranoia and anger.
KMFDM, “Enemy”
KMFDM are doing it again, for better or worse.
Observer: Run Level Zero & Belgrado
Thoughts on new EPs from Run Level Zero and Belgrado.
Observer: Cambiaforma & Blokkontroll
Thoughts on a pair of lo-fi EBM EPs from Cambiaforma and Blokkontroll.
Scheitan, “Wine For A Tormented Soul”
Pop-driven goth rock anthems and the genre’s brooding flip side make up the polar extremes of the new LP by Scheitan.
Trait D’Union, “Il n’y a Pas d’Ailleurs”
Hardcore tinged post-punk and darkwave from France, with a healthy amount of fight in its gloomy outlook.
