Reviews
Filmmaker, “Hollywood Cult”
Filmmaker continues his prolific run of lo-fi EBM and throwback techno releases.
Twin Tribes, “Pendulum”
While slightly amplifying their synth quotient, Twin Tribes maintain their run of excellent and immediate darkwave.
Gallows’ Eve, “13 Thorns”
Sweden’s Gallows’ Eve hit trad goth rock perfection on their debut.
Weever, “Mémoires de Guerre”
French techno-industrial producer Weever’s music is inspired by the grim brutality of 13th century warfare.
Observer: Dionysus & Harsh R
Capsule takes on new releases from Dionysus and Harsh R.
yelworC, “The Ghosts I Called”
The formative dark electro maestro returns with a collection of material that covers the last decade or so.
I.X.XI, “Not Enough To Survive”
Born out of grief, I.X.XI’s debut takes unexpected approaches to industrial, witch house, and symphonic sounds.
A Game Called Echo: January 19th 2024
Our “if you like x, you’ll probably like y” feature is back, talking Frontline Assembly, Kurs, Concrete Blonde and Rosegarden Funeral Party.
Dead Voices On Air, “:jamiel:spybey:”
A new collaborative record points to the maturity, range, and grace of latter-era Dead Voices On Air records.
Varg I Veum, self-titled
Darkwave duo Varg I Veum speak to medieval history and the European darkwave tradition on their debut LP.
Observer: Celldöd & Alen Skanner
Capsule reviews of releases by Celldöd and Alen Skanner.
Caustic Grip, “Beneath the Skin”
The Australian electro-industrial project applies and defies its influences on its new mini-album.
