Kollaps, “Until The Day I Die”
A third steely blast of pure industrial noise arrives from Australia’s uncompromising Kollaps.
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Author: Bruce
Alphaxone, “The Infinite Void”
The latest from Alphaxone continues the Iranian dark ambient producer’s journey into deep space.
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Schneebezen, “Amnesia Lane”
Mecanica unearths a trove of fin-de-siècle synthpop laid down by LA’s Schneebezen in the late ’80s.
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Flint Glass, “Azathoth”
Flint Glass returns to Lovecraftian influences with the downtempo and ambiently dark “Azathoth”.
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T.G.T.B., “Stockholm Soul”
Depressive vocals and bubbly, lo-fi synthpop and electro are combined on T.G.T.B.’s first LP.
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Black Magnet, “Body Prophecy”
Black Magnet delivers another tight set of accomplished and varied industrial metal.
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Replicas: Nordvargr, “Resignation I-II-III”
A collection of ambient techno releases presents a rarely heard dimension of Nordvargr’s work.
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Kill Shelter, “Asylum”
Kill Shelter welcomes a host of goth and darkwave royalty to a record which fuses homages to the past with modern production.
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Night Sins, “Violet Age”
Night Sins fuse their existing synthpop and goth rock sounds to mixed results.
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Ritualz, “Radical Macabro”
Ritualz pushes forward with heavy hitting melodic darkwave which still has roots in early witch house.
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CIERŃ, “The Emperor Rx”
Berlin’s CIERŃ deliver balanced and harmonic positive punk on their first full-length.
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Silver Walks, “Various Positions”
Silver Walks’ first LP refreshes familiar influences with a varied and considered set of tracks from across the electro and industrial spectra.
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Filmmaker, “Fictional Portrayals”
Filmmaker’s voluminous run of hybrid EBM stylings continues apace.
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Rhys Fulber, “Collapsing Empires”
Rhys Fulber’s latest doubles down on dark techno and minimalist ambiance.
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X Marks The Pedwalk, “New / End”
A sleek and elegant new record of melodic electro shows off X Marks The Pedwalk’s sense of self-curation.
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