Blakmoth, “The Hissing Silence”
Baltimore’s Blakmoth continues his run of solid dark ambient releases, the latest being a decidedly grounded (if no less depressing) listen.
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Author: Bruce
Decent Ruins, “Too Weird To Live”
Czech duo Decent Ruins offer caustic wit and rapid-fire genre cycling on their debut.
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Belgrado, “Intra Apogeum”
After a lengthy layoff, Spanish post-punk act Belgrado trade out some of their fury for new wave synth colours.
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Zack Zack Zack, “Album 2”
Austrian duo Zack Zack Zack marshal their evocative blend of post-punk, darkwave, and near east instrumentation on a solid sophomore record.
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Monolith, “Concrete Playground”
The classic rhythmic noise sound of Eric Van Wonterghem’s Monolith feels au courant once again.
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The Bellwether Syndicate, “Vestige & Vigil”
Goth rock veterans The Bellwether Syndicate take a grand tour of styles past and usher them into the present.
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Zanias, “Chrysalis”
A poppier turn for Zanias doesn’t necessitate the loss of her direct songwriting, nor the ghostly atmospherics of her production.
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Morwan, “Svitaye, Palaye”
Driven from the Ukraine by war, Morwan imbues his hypnotic blend of eastern folk and post-punk with blistering rage and harrowing grief.
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Caldon Glover, “Ùir”
Caldon Glover continues their expedition into the metaphysical corners of dark ambient with their latest LP.
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Leæther Strip, “Last Station”
The latest Leæther Strip continues Claus Larsen’s pursuit of a stripped-down and directly delivered style of dark electro.
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Donzii, “Fishbowl”
Florida’s Donzii blend no wave, proto-goth, funk, and electronics into an intoxicating first LP.
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Cruel Diagonals, “Fractured Whole”
Cruel Diagonals’ ambient/industrial manipulation of vocals yields uncanny hauntings.
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Snowbeasts & Solypsis, “Firelands”
Snowbeasts & Solypsis’ second collaborative LP links elements from the last two decades of powernoise and IDM diaspora.
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Hem Netjer, “The Song Of Trees”
Hem Netjer’s ritualistic take on darkwave is buoyed by their singular vocal stylings.
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Gorgonn, “Six Paths”
Deep and unsettling dub combines with industrial clatter on the first full length from Goh Nakada’s Gorgonn project.
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