Kite, “VI”
Kite press forward with an EP darker and stranger than anything the Swedish synthpop duo has ever attempted.
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Author: Bruce
Soviet, “Ghosts”
Soviet’s return to the synthpop stage plays hard to get, but comes out stronger for it.
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Observer: April 14th, 2015
New releases from reakt[ion], Sewer Goddess, and Dead Voices On Air in review.
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X-Marks The Pedwalk, “The House Of Rain”
X-Marks The Pedwalk add a heavy dollop of gothic melancholy for their strongest comeback album yet.
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Observer: March 18th, 2015
Capsule reviews of new releases by Crimes AM, Mahr, and M‡ЯC▲LL▲.
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Prager Handgriff, “Roburit”
The last of a dying breed, Prager Handgriff stay true to their moody brand of EBM twenty five years on.
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Cardinal Noire, self-titled
Cardinal Noire’s debut is a fantastic piece of classic electro-industrial, tackling the original masters of the genre head-on.
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Marsheaux, “A Broken Frame”
Marsheaux revisit one of Depeche Mode’s weaker albums using both their own style and that later developed by DM themselves.
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Apócrýphos, “The Prisoners Cinema”
A change from the Psychomanteum name marks the next chapter in Robert Kozletsky’s dark ambient progression as Apocryphos.
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Analfabetism, self-titled
Fredrik Djurfeldt takes a break from Severe Illusion to explore the more soothing side of noise with his new project.
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Alphaxone, “Altered Dimensions”
The details in the latest release from the Iranian dark ambient project are almost too subtle for their own good.
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The Unquiet Grave: Suspiria
The Unquiet Grave returns with a look back at electro-goth dramatists Suspiria.
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Marching Dynamics, “Boomslang”
Marching Dynamics return after a hiatus, integrating faster and brighter techno colours into their rhythmic noise palette.
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lié, “Consent”
A dark and harrowing blast of goth-tinged punk from Vancouver’s lié, with plenty of style and substance.
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Displacer, “Electric Dreams”
A slightly more aggressive release from Michael Morton, but still within the moody downtempo world Displacer is known for.
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