Cardinal Noire, self-titled
Cardinal Noire’s debut is a fantastic piece of classic electro-industrial, tackling the original masters of the genre head-on.
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Author: Bruce
Marsheaux, “A Broken Frame”
Marsheaux revisit one of Depeche Mode’s weaker albums using both their own style and that later developed by DM themselves.
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Apócrýphos, “The Prisoners Cinema”
A change from the Psychomanteum name marks the next chapter in Robert Kozletsky’s dark ambient progression as Apocryphos.
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Analfabetism, self-titled
Fredrik Djurfeldt takes a break from Severe Illusion to explore the more soothing side of noise with his new project.
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Alphaxone, “Altered Dimensions”
The details in the latest release from the Iranian dark ambient project are almost too subtle for their own good.
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The Unquiet Grave: Suspiria
The Unquiet Grave returns with a look back at electro-goth dramatists Suspiria.
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Marching Dynamics, “Boomslang”
Marching Dynamics return after a hiatus, integrating faster and brighter techno colours into their rhythmic noise palette.
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lié, “Consent”
A dark and harrowing blast of goth-tinged punk from Vancouver’s lié, with plenty of style and substance.
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Displacer, “Electric Dreams”
A slightly more aggressive release from Michael Morton, but still within the moody downtempo world Displacer is known for.
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Gnome & Spybey, “Reflective”
Gnome & Spybey enlist a litany of guests for a moodier take on their excellent ambient template.
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Wulfband, self-titled
Wulfband bridge German fundamentals of EBM with the quirkier sides of Swedish music of all stripes to fantastic effect.
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Tracks: November 10, 2014
New tunes from Mlada Fronta, Phil Western, The Birthday Massacre, DarkDriveClinic, ELMS, and Shelley Parker.
Read More![[:SITD:], “Dunkelziffer”](https://www.idieyoudie.com/home/wp-content/uploads/2014/11/dunkelziffer-570x376.jpg)
[:SITD:], “Dunkelziffer”
Germany’s widescreen EBM act [:SITD:]’s latest once again lands in the niche the band carved out for themselves a decade back.
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W.A.S.T.E., “Warlord Mentality”
The latest from W.A.S.T.E. prompts a reevaluation of the currency of power noise in 2014.
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In Death It Ends, “After The Last Frame”
Porl King pushes the ambient envelope in unsettling directions with a new In Death It Ends EP (rooted in creepypasta, no less).
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