Koban, “Abject Obsessions”
Post-punk duo Koban test out some subtle upgrades to their tense delivery on their second LP.
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Author: Bruce
Terminal Gods, “Wave / Form”
On their first full-length, Terminal Gods cast as wide a net as possible across rock’s darker corners.
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Kangarot, “Wholly Hex”
Kangarot’s third LP brings a new percussive ferocity to the project’s always engaging krautrock/electro-industrial fusion.
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Sophia, “Unclean”
Sophia return with an oddly tranquil iteration of their ambient industrial sound.
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Spectres, “Utopia”
Spectres’ third LP brings a more reflective tone to the band’s post-punk core.
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Ari Mason, “Creatures”
A restrained but charismatic vocal presence guides Ari Mason’s second LP to a hypnotic state on the darkwave/synthpop border.
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Blac Kolor, “Born In Ruins”
Blac Kolor’s sophomore LP shows just how much effect can be wrought from atmospherics in the new techno/EBM hybrid.
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Synesect, “Blue Rooms”
The versatility of darkwave is exercised well on the first EP from Synesect, the new project featuring Vanessa of The Harrow.
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Tracks: March 7th, 2016
Tunes from Rotersand, A Vengeance, Blush Response, Celldöd, Econocon, and Neon Shudder.
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God Destruction, “Redentor”
The third album from Mexico’s God Destruction continues to blend black metal flourishes into the edges of the aggrotech template.
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Thoughts On Michael Gira And Larkin Grimm
A brief comment on the rape accusation currently facing Michael Gira.
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negative_crush, “invisible_weapons”
Tyler Newman (Battery Cage, Informatik) pushes into post-metal territory with a bleak but wonderfully realized solo album.
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Analfabetism, “Av Hjord är du Kommen”
Fredrik Djurfelt continues along the rewarding less-traveled road of pure industrial noise with the second Analfabetism LP.
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Replicas: Kirlian Camera, “Radio Music A”
A new compilation tackles the challenge of encapsulating the best of Kirlian Camera’s thirty-five years of work in a single CD.
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Agrezzior, “Berzerker”
The second Agrezzior album highlights the appeals and pitfalls of the path old school EBM has carved for itself.
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