The Rorschach Garden with Neatless, “Neatless Voyage”
A new intersection of Phillip Münch’s solo projects links quirky synthpop with EBM menace.
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Author: Bruce
Sleep Forever, “Alter Ego”
Well-ornamented synthpop drifts along pleasantly on Sleep Forever’s second LP.
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Dead Voices On Air, “dadu: tutu:”
Free-form psych and garage rock is blended into Dead Voices On Air’s already broad rubric with the latest from Mark Spybey’s long-running experimental project.
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We Have A Commentary: “The Gothic Sounds of Nightbreed”
There’s a slew of 90s goth up for discussion in this month’s commentary, addressing “The Gothic Sounds Of Nightbreed”.
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grabyourface, “Sadgirl Mixtape”
grabyourface’s latest release is an emotionally brutal and musically varied tour de force.
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This Eternal Decay, “Spettro”
Italy’s This Eternal Decay continue to ply their pleasantly balanced style of continental darkwave.
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Vanligt Folk, “Dischorealism”
Vanligt Folk continue their maddening yet engrossing approach to electronic pastiche and experimentalism.
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Obscure Formats, “Cryptid”
A subtle set of dark club cuts from Obscure Formats touches upon several eras and styles from Rob Galbraith’s career.
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INVA//ID, “The Agony Index”
A mammoth new LP brings INVA//ID’s hybridization of hardcore and industrial rock back into focus.
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Kreign, “III”
The sophomore record from Kreign maintains the duo’s manic yet sleekly produced approach to EBM.
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Cardinal Noire, “Vitriol”
Cardinal Noire hold true to their electro-industrial influences on their third LP.
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Curses, “Another Heaven”
A gossamer take on post-punk marks a notable shift for Curses.
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Boar Alarm, “Automatic For The Dead People”
The latest in a string of strong releases from Fredrik Djurfeldt, Boar Alarm’s new LP whittles the structures of electro-industrial and EBM down to their noisiest and most experimental roots.
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Skelesys, “Fading Echoes”
The debut LP from Skelesys brings some earthy rock fundamentals to modern darkwave.
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Pøltergeist, “Nachtmusik”
The debut LP of Calgary’s Pøltergeist strikes upon solid melodies and anthems by approaching post-punk from a metalhead’s perspective.
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