Totem, “Passage”
Totem’s debut album of darkwave makes an asset of foggy atmospheres and distinctive vocals.
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Author: alex
Azar Swan, “The Hissing of a Paper Crane”
Azar Swan take their creative arc to its logical conclusion on their harsh new LP.
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We Have a Technical 284: Leave the Room
We look at records from Aghast View and Displacer on this week’s We Have a Technical.
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Motor!k, self-titled
Dirk Ivens and bandmates make straightahead krautrock on Motor!k’s debut LP.
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Secret Shame, “Dark Synthetics”
Energetic and well-executed goth rock is the order of the day on the debut LP from the North Carolina band.
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Bedless Bones, “Sublime Malaise”
The debut LP from the Estonian darkwave project is cool and expressive in equal measures.
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Rhys Fulber, “Ostalgia”
The new album from the renowned producer and programmer contains multitudes in its finer details.
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Cyanotic, “The Trigger Effect”
Cyanotic’s new record maintains the trajectory of their efficient industrial-rock sound.
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Tracks: September 23rd, 2019
Darkwave and post-punk abound with songs from Bestial Mouths, Struck 9, Molchat Doma, Secret Shame and DEAD.
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Spit Mask, “You May Feel Some Pressure”
Spit Mask’s new LP is meaner and more potent in terms of sonics and thematics than ever before.
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KANGA, “Eternal Daughter”
KANGA’s new EP showcases her continued growth as producer and performer.
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Wingtips, “Exposure Therapy”
Wingtips’ debut LP is a buoyant collection of easy to enjoy darkwave tunes perfectly suited for the end of summer.
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HIDE, “Hell is Here”
HIDE strike a balance between acrimony and vulnerability on their new LP.
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We Have a Commentary: Klack, “Introducing The 1984 Renault LeCar”
We Have a Commentary is joined by Klack to discuss their 2019 “Introducing the 1984 Renault LeCar” EP.
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Velvet Acid Christ, “Ora Oblivionis”
Whatever style is currently in vogue, whatever is hitting in club playlists and festival line-ups, Velvet Acid Christ remain themselves.
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