Bedless Bones, “Sublime Malaise”
The debut LP from the Estonian darkwave project is cool and expressive in equal measures.
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Author: alex
Rhys Fulber, “Ostalgia”
The new album from the renowned producer and programmer contains multitudes in its finer details.
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Cyanotic, “The Trigger Effect”
Cyanotic’s new record maintains the trajectory of their efficient industrial-rock sound.
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Tracks: September 23rd, 2019
Darkwave and post-punk abound with songs from Bestial Mouths, Struck 9, Molchat Doma, Secret Shame and DEAD.
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Spit Mask, “You May Feel Some Pressure”
Spit Mask’s new LP is meaner and more potent in terms of sonics and thematics than ever before.
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KANGA, “Eternal Daughter”
KANGA’s new EP showcases her continued growth as producer and performer.
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Wingtips, “Exposure Therapy”
Wingtips’ debut LP is a buoyant collection of easy to enjoy darkwave tunes perfectly suited for the end of summer.
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HIDE, “Hell is Here”
HIDE strike a balance between acrimony and vulnerability on their new LP.
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We Have a Commentary: Klack, “Introducing The 1984 Renault LeCar”
We Have a Commentary is joined by Klack to discuss their 2019 “Introducing the 1984 Renault LeCar” EP.
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Velvet Acid Christ, “Ora Oblivionis”
Whatever style is currently in vogue, whatever is hitting in club playlists and festival line-ups, Velvet Acid Christ remain themselves.
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Observer: ∆AIMON & Sweat Boys
Short form reviews of new releases by ∆AIMON and Sweat Boys.
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Silent EM, “The Absence”
Silent EM’s debut serves up mean, synthpunky darkwave with a baleful attitude.
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Grendel, “Ascending the Abyss”
JD Tucker’s reinvention of Grendel feels complete on the long-running project’s new LP.
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The Devil & The Universe, “Endgame 69”
Austrian darkwavers The Devil & The Universe invoke the dark side of the Summer of Love on their new LP.
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God Module, “The Unsound”
God Module’s new LP highlights what has worked for the project for more than 20 years.
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