Statiqbloom, “Mask Visions Poison”
The new side project of Theologian’s Fade Kainer demonstrates a preternatural talent for classic electro-industrial and dark electro.
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Alphabetical Letter: S
Syrian, “Death of a Sun”
The Italian futurepop act rewind their sound to the 80s for a fun summer synthpop workout.
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In Conversation: Skinny Puppy, “Weapon”
The senior staff hashes out their complicated feelings on the new album from Vancouver`s legendary post-industrial act.
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Suicide Commando, “When Evil Speaks”
The latest from Belgium’s harsh EBM pioneer occasionally hearkens back to the simpler style of his 90s material.
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Snog, “Babes in Consumerland”
We listen to the new album from Australia’s Snog, positioning it within the greater context of their catalogue.
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Sleetgrout, “We Had a Carnival”
We check out the domestic release of the well-regarded 2012 album from the Russian harsh EBM act.
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End to End: Snog, “Everything is Under Control”
We have a listen to the new digital single from the long-running Australian project.
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Replicas: Seven Trees, “Expanding the Unknown”
For the sophomore installment of our reissue series, we have a look at a semi-obscure but well-regarded dark electro album from the late 90s.
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Spetsnaz, “For Generations To Come”
The Swedish body music traditionalists return with an album that doesn’t stray far from what they’ve always been known for.
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Severe Illusion, “Psychosurgery”
The uncompromisingly pessimistic Swedes turn up again with an EP that handily summarizes and expands their take on harsh EBM.
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Soft Kill, “Circle Of Trees”
Portland outfit coalesces around a core post-punk sound on their second LP, but manage to explore a range of moods and sounds with solid vocals providing a guiding thread.
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The Pitch: Snog, “Beyond the Valley of the Proles”
Alex tries to sell Bruce on one of Snog’s folkier outings.
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Silent Servant, “Negative Fascination”
Silent Servant’s debut full-length makes the leap earlier singles had hinted at, bridging minimal techno and early, noise-clouded incarnations of industrial in an intriguing manner.
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Spectres, “Nothing To Nowhere”
Vancouver post-punks’ sophomore record expands upon their sound and contains plenty of instant classics.
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Sonic Area, “Music for Ghosts”
The French industrial project tries its hand at various forms of soundtrack music, viewed through some very odd lenses.
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