SRSQ, “Ever Crashing”
Kennedy Ashlyn’s sun-soaked sophomore LP as SRSQ basks in the beauty, uncertainty, and absurdity of life.
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Alphabetical Letter: S
Silver Walks, “Various Positions”
Silver Walks’ first LP refreshes familiar influences with a varied and considered set of tracks from across the electro and industrial spectra.
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Sacred Skin, “The Decline of Pleasure”
The Los Angeles new wave duo have songs to back up their distinctly retro stylings on their debut LP.
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Observer: SDH & Starving Insect
Thoughts on new EPs from SDH and Starving Insect.
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Synapscape, “The Stable Mind”
Synapscape reach back to the heyday of acid techno and fuse it to their trademark rhythmic noise.
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Stabbing Westward, “Chasing Ghosts”
Stabbing Westward’s comeback LP highlights the core appeal of their emotional, industrial rock sound.
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Spike Hellis, self-titled
Mutant EBM, sleek funk, and eerie minimalism combine on Spike Hellis’ impressive proper debut.
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Statiqbloom, “Threat”
A striking change-up from Statiqbloom carries the project’s aesthetic over to a distinctly techno-driven template.
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SNAKEATSNAKE, self-titled
Grimy lo-fi old school EBM is the order of the day for the Bulgarian project.
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Stendeck, “Carnage”
Stendeck’s new record is a worthy successor to “Folgor” and adopts a reflective view on technoid’s history and sounds.
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Statische Monotonie, “I Did It”
Chilean newcomers Statische Monotonie rapidly shuffle through a range of body music sounds and styles on an entertaining debut.
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Sixth June, “1984”
Darkwave duo Sixth June release an ambitious and hypnotic forty-one minute single composition.
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Silent, “Modern Hate”
Mexico’s Silent use a weighty deathrock sound to take up real-world horrors.
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Observer: Big Time Kill & Sleep Clinic
Capsule reviews of new work from Big Time Kill and Sleep Clinic.
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Sophrosyne, “Ecclesiastes”
The fresh debut record from Sophrosyne re-engineers industrial metal from the ground up with a screwball sensibility.
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