Sonic Area, “Music for Ghosts”
The French industrial project tries its hand at various forms of soundtrack music, viewed through some very odd lenses.
Read MoreThe French industrial project tries its hand at various forms of soundtrack music, viewed through some very odd lenses.
Read MoreThe latest from Dirk Ivens’ trad power noise project stays the course, for better or worse.
Read MorePosted by I Die You Die | Jul 6, 2012 | The Pitch | 1
Our regular feature in which one half of the senior staff pitches a record to the other returns, this time with some millenial synthpop in a distinctly classic vein.
Read MoreAn astonishing debut which seamlessly blends a wide range of ambient and electro sounds, while never sacrificing cohesion or accessibility.
Read MoreAlthough lacking by its very nature the full visual experience of a Puppy show, In Solvent Seas offers some good reads on classic brappage.
Read MoreThe new album from the Ambassador 21 side-project reverse engineers electro-industrial from their more well-established sound.
Read MoreHearkening back to classic 90s power noise, Sabes offers some crunchy thrills but runs on a half-empty tank.
Read MoreOn their first new material in seven years, Stromkern appear at their most vulnerable, but also emerge strengthened.
Read MoreThe new album from the Swedish EBM duo nods to the old school even as it leaves it behind.
Read MoreMenton3’s neo-classically inclined trip-hop project returns in a darker form with the soundtrack to his horror comic book.
Read MoreThe new album from Germany’s widescreen EBM kings lives and dies by it’s application of their trademark style.
Read MorePosted by I Die You Die | Nov 3, 2011 | Reviews | 6
Our “heavy on context, short on kvetching about old records” take on the third post-reformation LP from undisputed progenitors and all around masters of Our Thing, Skinny Puppy.
Read MoreThis bleak, relentless, and utterly fantastic slice of misanthropic EBM deserves top marks from aficionados.
Read MoreStraftanz challenge EBM standards by taking their new album in varied directions with equally varied results.
Read MoreThe lamentably named side-project of Project Pitchfork’s Peter Spilles is a good bit of cheeky fun.
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