Pyrroline, “Ruins Outlast”
German electro-industrial duo make some remarkably constructed music with an ear to the style of yesteryear.
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Alphabetical Letter: P
Prosymna, “Broken Waters Of Mykines”
The French duo’s sophomore outing is one of 2012’s best releases: a stunning blend of goth, darkwave, and witch house markers from across the decades delivered with flair and brimming with confidence.
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End to End: Pankow, “Hogre”
We do a track by track run down of the recent remix EP from the long-time Italian body music purveyors.
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Prometheus Burning, “Kill It With Fire”
The seventh album from the Pittsburgh based dark electro duo benefits from a no-frills, stripped approach to song and albumcraft.
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Panic Lift, “Is This Goodbye?”
The Metropolis debut for the New Jersey EBM project shoots for a hooky, melody driven vibe, falling short of what they’re clearly capable of.
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The Pain Machinery, “Restart”
The Swedish duo find a way to carry the sea change of their last release forward, offering a richer iteration of their blunt, acid-touched EBM.
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PreEmptive Strike 0.1, “T.A.L.O.S.”
The Greek duo add more than enough unexpected elements to their fourth LP, namely Greek folk instrumentation, to distinguish it from run of the mill harsh EBM.
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Press Gang Metropol, “Checkpoint”
The debut from ex-Corpus Delicti members makes good use of a variety of new wave and post-punk tropes.
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Portion Control, “Pure Form”
The British electro-punk legends issue another sortie of menacing, beat-heavy fun which balances the strength of their pedigree with utterly modern-sounding elements.
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PAKT, “Berlin”
The debut from former And One members Chris Ruiz and Gio Van Oli finds the duo working in an EBM vein with mixed results.
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Pop Will Eat Itself: The Reissues
In which we examine the history of the UK sample-rockers Pop Will Eat Itself via their recent spate of reissues.
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The Present Moment, “Loyal to a Fault”
The sophomore album from LA’s The Present Moment is a refreshingly confident effort that contains elements of austere post-punk and warm synthpop.
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Pop Will Eat Itself, “New Noise Designed by a Sadist”
Original member Graham Crabb and a new cohort of Poppies deliver the first album under the name Pop Will Eat Itself in over a decade and a half.
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Principe Valiente, self-titled
An ambitious debut which uses a familiar post-punk template to field-test a variety of moods.
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The Pain Machinery, “Surveillance Culture”
A minimal, aggressive and uncompromising EBM record which makes nods to Portion Control and acid house.
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