Feyleux, “Midnight Hearts”
Feyleux’s debut showcases an uncanny amount of darkwave savvy and reach.
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Alphabetical Letter: F
Filmmaker, “Hollywood Cult”
Filmmaker continues his prolific run of lo-fi EBM and throwback techno releases.
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Flesh Field, “Voice of the Echo Chamber”
Ian Ross resurrected Flesh Field addresses gun violence on a conceptually rich and sonically large comeback LP.
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Observer: Normal Bias & Madeleine Fragile
Short-form reviews of new EPs by Normal Bias and Madeleine Fragile.
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Flint Glass, “Azathoth”
Flint Glass returns to Lovecraftian influences with the downtempo and ambiently dark “Azathoth”.
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Filmmaker, “Fictional Portrayals”
Filmmaker’s voluminous run of hybrid EBM stylings continues apace.
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Rhys Fulber, “Collapsing Empires”
Rhys Fulber’s latest doubles down on dark techno and minimalist ambiance.
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Forever Grey, “Sympathy Garden”
Forever Grey add some slightly melodic shades to their weighty darkwave palette, but the overall picture remains decidedly stygian.
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Filmmaker, “Screening Plexus”
More excellent genre-hopping body music comes our way from Colombian producer Filmmaker.
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Rhys Fulber, “Brutal Nature”
The new solo LP from Rhys Fulber artfully links beat-heavy industrial extremism with the softer sides of Fulber’s compositional skills.
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Forma Tadre, “Geiger’s Day”
A hitherto unreleased record of ambitious ambient composition provides a missing link in the discography of Forma Tadre.
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Observer: Production Unit Xero & Flint Glass
Short-form reviews of new releases from Production Unit Xero and Flint Glass.
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Front Line Assembly, “Mechanical Soul”
The new Front Line Assembly record strips things down for a minimalist take on current and classic industrial sounds.
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Replicas: Fatal Morgana, “The Final Destruction”
Fatal Morgana’s discography of dramatic and occasionally symphonic EBM receives a thorough reissue on Mecanica.
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Fearing, “Shadow”
Oakland’s Fearing offer a slightly dreamy take on dark post-punk with varying results.
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