Observer: GBxCL and Ex-Heir
Thoughts on new EPs by GBxCL and Ex-Heir.
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Alphabetical Letter: E
Observer: Leere Städte & Executioner’s Mask
Shorter thoughts on new releases by Leere Städte (Die Selektion) and Executioner’s Mask.
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Encephalon, “Echoes”
Ottawa’s electro-industrial mainstays explode themselves on their meta-textually rich fourth LP.
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ESA, “Designer Carnage”
Jamie Blacker adds so many different sounds and ideas to his already complex and potent rhythmic noise.
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Observer: Empusae & Sierra
Capsule reviews of releases by Empusae and Sierra.
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Echoberyl, “Mother Solitude and Other Dark Tales”
The sophomore LP from Parisian darkwavers Echoberyl is uneven but not without charm.
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EntreMentiras, self-titled
EntreMentiras’ brisk and melodic debut brings synthpunk, minimal wave, EBM, and synthpop into furious harmony.
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ESA, “Burial 10”
ESA continues to bring primeval rage and near-flawless technical execution to powernoise on “Burial 10”.
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Observer: Joel Eel + Randolph & Mortimer
Capsule reviews of new releases by Joel Eel and Randolph & Mortimer.
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ESA, “That Beast”
The new album from Jamie Blacker’s ESA is more ferocious and also more thoughtful than ever before.
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Egoprisme, “Among Noise”
The debut LP from the French darkwave act finds a healthy balance between the genre’s stylistic modes.
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Ecstasphere, “Transgressions: Documenting Decay”
The third record from Ecstasphere modifies the classic rhythmic noise template with welcome additions from outside the world of noise.
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Encephalon, “We Only Love You When You’re Dead”
Ottawa’s Encephalon return with an electro-industrial rock opera about celebrity, death and rebirth.
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Eye Steal, “Burning Out”
Toronto’s Eye Steal cram a lot of drama and grit into their debut for Negative Gain Productions.
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Elm, “Hardline”
Restricted Area’s Peter Elm launches a new project which puts a slight spin on his trad-EBM sounds.
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