Deine Lakaien, “Dual”
Deine Lakaein’s new double record of covers and originals inspired by the former frames their magisterial darkwave both in and out of history.
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Alphabetical Letter: D
Dame Area, “Ondas Tribales”
Spanish duo put percussion before all on their synthpunky compositions.
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Observer: Randolph & Mortimer and Den Sorte Død
Short form reviews of new work from Randolph & Mortimer and Den Sorte Død.
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Deadly Injection, “Zombified”
On their second LP, German dark electro act Deadly Injection incur a debt to their influences which can’t be paid off.
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Observer: daddybear & XLV
Short form reviews of new work from daddybear and XLV.
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Double Echo, “Burning In Blue”
Double Echo bring all of their dreamy darkwave stylings to bear on a rich and rewarding LP.
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Replicas: D.H.I., “Machine Altar Transmission” & “Pressures Collide”
The cult Canadian 90s industrial act re-release their catalogue via Bandcamp.
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Observer: Unconscious & Downwell
Thoughts on two new techno-EBM releases from Unconscious and Downwell.
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Distortion Six, “Norze”
The classic power noise formula is taken up by Distortion Six on their new Nordic-themed LP.
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The Devil & The Universe, “Endgame 69”
Austrian darkwavers The Devil & The Universe invoke the dark side of the Summer of Love on their new LP.
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Xarah Dion, “Plein Nord”
Montreal’s Xarah Dion levels up on her substantial new darkwave album.
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D/SIR, “All That Was Left”
D/SIR take their post-witchouse atmospheres in a surprisingly melodic and approachable direction.
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Die Sektor, “Death My Darling”
After six years, Die Sektor re-emerge with an electro-industrial album with summarizes and expands on their previous experimentation.
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Dune Messiah, “Moments of Bliss”
The sophomore LP from the Danish folk-noir performer signposts his musical development.
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Download, “Unknown Room”
Potentially Download’s final LP, “Unknown Room” carries on the bubbling IDM experimentation which came to define the Key/Western era of the project.
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