All Your Sisters, “Trust Ruins”
The third album from the LA-based duo taps into some deeply unnerving and unpleasant listening territory.
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Alphabetical Letter: A
Artificial Monuments, “Illusions Of Identity”
The sole LP from Copenhagen’s Artificial Monuments captures both the light and dark of European coldwave.
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Automelodi, “Mirages au Futur Verre-brisé”
Automelodi push synthpop instrumentation to the limits in an ambitious third LP.
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Agent Side Grinder, “A/X”
The new incarnation of Agent Side Grinder recasts their established sound in intriguing ways on their new LP.
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Alphaxone, “Chronosphere”
A deeply calming new LP from Alphaxone shows off Mehdi Saleh’s steady hand for cosmic dark ambient.
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Apoptygma Berzerk, “SDGXXV”
More than a quarter century since it’s release, Apoptygma Berzerk’s “Soli Deo Gloria” gets the full album remix treatment.
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And Void, self-titled
Scott Fox, Mari Kattman and Mika Goedrijk explore the potential of collaboration on the debut from And Void.
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A Covenant Of Thorns, “Shadows & Serenades”
Long-running act A Covenant Of Thorns pursue synthpop craft to subtle yet evocative ends.
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Acretongue, “Ghost Nocturne”
The long awaited follow-up to “Strange Cargo” reaffirms Acretongue’s talent for sound design and mood.
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Author & Punisher, “Beastland”
“Beastland” builds upon Author & Punisher’s metallic ambition while retaining its industrial sturm und drang.
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Observer: Antechamber & Autopsie d’une ombre
Capsule reviews of new releases by Antechamber and Autopsie d’une ombre
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Analfabetism, “Kniven Sitter Kvar i Bonden”
Fredrik Djurfeldt’s Analfabetism project turns its industrial noise toolkit in a somber and reflective direction.
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Replicas: Coil + Zos Kia + Marc Almond, “How To Destroy Angels”
The early and extreme experimentation of John Balance and Zos Kia is unearthed, buoyed by Marc Almond’s charisma.
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In Conversation: Ashbury Heights, “The Victorian Wallflowers”
The Senior Staff dig deep into the considerable charms of the new Ashbury Heights album.
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Alexandra Atnif, “Seekers Of The Void”
LA noise producer Alexandra Atnif makes a big statement with a record with deep roots in powernoise.
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